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7 July 2025

Blog, WIPO-SCCR

The GRULAC proposal on remuneration rights at WIPO SCCR: Understanding the interface with national debates and the issue of corporate power

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Vitor Ido of the University of São Paulo (USP) explains the context of the renewed focus on remuneration of creatives in Latin America, especially in Brazil. He focuses on the desire by Brazil’s new government to regulate the power of large corporates, especially those based in the Global North, especially the tendency to exploit Brazil’s creative content at the expense of local authors and creators. This presentation was delivered at the User Rights meeting in Geneva on 17 June 2025. The full text is available below. The political context in Brazil: A renewed commitment to national creative industries It’s a pleasure to be here and thank you so much for the invitation. So I’ll try to feed into this discussion of remuneration rights, but with a different framing and a different entry point in particular: the reasons why GRULAC and Latin America wanted to bring this discussion to WIPO and how there’s kind of a big mismatch between what’s taking place at the national or regional level and what’s taking place more globally. My interpretation is that we need to understand that at least in Brazil, potentially slightly different from what we’re seeing in Europe, there’s two main things: On the one hand, renewed attention to creative industries as strategic to the Brazilian economy and Latin America more broadly. And on the other hand, regulation of huge platforms.  It’s the post-Bolsonaro context. So this is responding to an authoritarian context in which you had severe cutting in culture industries financing, but also deregulation in the platform sector, which also led to direct consequences for democracy, just like we saw in other countries as well. So if we look from that point of view, when we look at how this new government tried to pitch creative industries as one core focus, you see new fiscal policies, you see new legislation and direct and indirect support to not only authors, but movies and all different cultural sectors. That’s where we get to the remuneration issues: low to minimum to absolutely no remuneration at all for authors, in particular by foreign large platforms. And it’s said all the time in Brazil that our Minister of Culture, who’s also an artist, she pretty much gains nothing and she’s well-known, super well-known actually, and she gets basically nothing out of Spotify. On top of that, of course, there are general concerns about a workforce being displaced by artificial intelligence and thinking about the economic potentials of exporting some of our cultural assets to other countries, not just Lusophone countries, but then potentials for conventional streaming platforms like Netflix. So during the pandemic, for instance, when that was the setting, there was no direct support by the government, what we had was just that sort of investment. But also on the other hand, the issue of regulating platforms, what you see, and maybe that’s one of the things that’s being discussed outside of Brazil more, is how the Supreme Court has taken a very active role in regulating platforms, and even this week they’re about to finalise a reframing of a longstanding provision that was basically a safe harbour, not liability, for platforms that is about to be reshaped. And some people in the international literature are even calling it kind of a Brazil model in the making. Remuneration to support and protect journalism and other key sectors But where it fits into remuneration, is that very explicitly the government is saying to counter misinformation, it’s not just about digital literacy, but also about having enough instruments to support journalism, quality journalism, alternative journalism, black-owned journalism, indigenous peoples-owned journalism, women-owned journalism. And because of a fading business model, that also means that potentially new support in the form of remuneration can be part of this agenda.  This is just one example. Another is that, of course, dubbing [of movies and TV] in Brazil is a really huge cultural industry in an economic sense. You see this campaign that is talking not only about the loss of a whole profession, but also how this fits into notions of being Brazilian, what does it mean to speak Brazilian Portuguese, what does it mean to export it all, and the impact of being translated into an AI [voice], which Netflix actually did on a few occasions. It’s not, therefore, just a workforce displacement issue, but also that broader cultural repercussion that needs to be taken into account. The rights of indigenous people to protect traditional knowledge I just wanted to add, as well, a couple of other issues that I think are important for us to understand more broadly. I think the core in Brazil would be there’s more reasons to be concerned about misappropriation, particularly when we’re talking about minorities, than de facto issues with L&Es not existing.  I’m referring, of course, to Alan [Rocha]’s very well-known argument of how courts in Brazil have historically been trying to compensate for the bad legislation that does not really have L&Es, but that de facto end up authorising utilizations, for instance, for both research and educational purposes. In the policy realm, there’s also other reasons to be concerned about what’s going on, with the provisions related to big funders that are licencing some of our preservation and museums and archives policies that often just have that blunt open access provisions that are not really aligned with the way you need to negotiate and ponder things with indigenous peoples. I refer to the launch of the University of Sao Paulo’s new Centre of Documentation of Indigenous Languages and Cultures that took place a couple of weeks ago. It’s a very exciting, huge project, and one of the main issues there is precisely how do you do preservation and archival resources with direct participation of indigenous peoples. One of the main issues is you can’t start with an [open] access provision. It might end with that, but then you need to calibrate issues related to traditional knowledge, so when we bring

Blog

Unfair Licensing Practices in the Library Sector

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Teresa Nobre outlines a chilling range of practices by publishers to try to restrict the ability of researchers to conduct computational research. From ‘choice of law’ clauses which seek to circumvent EU law, to increased liability and penalties on libraries which fail to police their users. Nobre suggests a series of urgent measures to tip the balance back in favour of libraries and their users, and ultimately in favour of the right to research. This presentation was delivered at the User Rights meeting in Geneva on 17 June 2025. The full text is available below. The transition to licensing We have transitioned from a sales-based model in printed publications to a licence-based model in digital publications. What happens is that even if you have a fit-for-purpose framework that allows libraries to make certain uses of copyrighted works, they still need to rely on licences to have a first access to the material, and that gives publishers a lot of power in determining what libraries can and cannot do with the licensed materials, even if you have exceptions that allow them to make certain uses. Communia’s research We know that these licences tend to be subject to confidentiality agreements, which means that we don’t know what are the terms of these licences.  Communia is a non-profit based in Brussels, we have been involved in copyright reform for many years, we have been coming to the SCCR for many years, and we decided in February this year, we invited licensing managers, so people that are from the library sector, public library and academic library sector in Europe, we invited them to come to Brussels and we held a Chatham House rules meeting. We also invited the European Commission to attend this meeting and observe this meeting. And this environment where people could not attribute each other was the right environment for licensing managers to come and talk about the issues that they are facing with the licences, so the unfair licensing practices, the unfair terms that they are being subject to. So I will be mentioning some of those practices, and I will start with a very hot topic right now, which is the topic of AI, but also text and data mining for scientific research. Maybe I should also tell you that in addition to inviting librarians to come and talk to us in private, in front of the Commission, we also invited them to share with us in confidence clauses that they considered unfair, clauses that are part of those licensing agreements or licensing offers. Efforts to Circumvent the European TDM Directive Maybe here for those that are not European, I should give you a bit of a legal context of Europe. In Europe, six years ago we passed a new directive that guarantees that researchers in Europe can make text and data mining uses of copyrighted materials for scientific research. So we have a mandatory exception for these research uses. And this mandatory exception is protected against contractual overrides. And what does that mean? It means that if a licence says that you cannot make those uses, you don’t need to follow the licence because the law, the European law, protects you.  And what we realised, and we were very surprised, that publishers were actually concerned about prohibiting these uses in Europe when we have a law that allows these uses and prohibits contractual overrides. But that was indeed the case. So we noticed, and they told us, that since 2023, so place it at the same time where generative AI is raising, suddenly all the contracts are saying library users cannot conduct text and data mining on e-books and e-journals that are available in the libraries.  They cannot conduct any related AI uses with those materials.  ‘Choice of Law’ clauses And surprisingly, what was interesting to see was that, well, they were actually concerned about putting those prohibitions in those contracts, although the law would not allow for those prohibitions, because they could circumvent the EU policy, the EU law, and our contractual overrides prohibition by selecting a law that’s outside of Europe. So we know that ‘choice of law’ is typically a clause that the parties need to negotiate and takes time to negotiate. Everyone wants to choose their own law. But in this case, by choosing a law that’s not the national law where the library is located, meaning that’s not the EU law which would protect these uses against contractual overrides, they are able to circumvent basically the EU law and the prohibition of contractual overrides. And that’s enough. So imagine all of the work that we have done throughout the years to have exceptions in place, exceptions that are protected against contractual overrides, is simply circumvented by a choice of law clause. I’m going to give you an example of what prohibition of AI uses in these licences means. And, you know, there’s different ones. And you can see in our report, we gave some examples of it. Prohibition of AI-enabled browsers But publishers go as far as prohibiting the use of browsers with connected AI functionality. People, nowadays, there’s no browsers that do not use AI.  And publishers are prohibiting the library users from using browsers with AI functionality. This is how far it goes. We saw different variations of this. For instance, you see one that’s very simple, straightforward. You cannot conduct text and data mining, which is exactly what the EU law allows you to do. And when it comes to the choice of law, I think typically what we are seeing is that they are choosing U.S. law, maybe because the U.S. law right now, it’s not very clear if it allows these sort of uses or not. If it’s a UK publisher, they will select the U.K. law, which also doesn’t permit as many text and data mining uses as the EU law. So this is the first, let me say, the first category of obstacles and really

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